There is another world, but it is in this one.

Paul Eluard. Œuvres complètes, vol. 1, Gallimard, 1968.

Wednesday, April 24, 2019

Real monsters? The Monstrous edited by Ellen Datlow (2015).

The Monstrous edited by Ellen Datlow (2015).

Notes on a few of the stories:

"A Natural History of Autumn" by Jeffrey Ford is a superb tale of supernatural horror set in modern day Japan. It beautifully combines local legend with everyday life.


"Ashputtle" by Peter Straub
There's plenty of fancy creative-writing-class literary sweat on display in this story. The reader is plunged into the funhouse world of first-person mental illness. Is Straub boring? Taking the easy way? Am I too cynical over the works of an artist? Or is Straub a slumming tourist?


"Giants in the Earth" by Dale Bailey
A pretentious and exhausted literary conceit: that man is the real monster.


"Grindstone" Stephen Graham Jones
A powerful, imaginative, macabre story.
At first we think the moral is that man is the real monster. But how wrong we are.


"How I Met the Ghoul" by Sofia Samatar
A droll story worthy of Saki. Funny, modest, unpretentious.










Jay

24 April 2019

Water, water everywhere: The Devil and the Deep: Horror Stories of the Sea edited by Ellen Datlow (2018)

The Devil and the Deep: Horror Stories of the Sea edited by Ellen Datlow (2018)


Stories by Stephen Graham Jones and Brian Hodge, so different from each other, are the winners in this collection. A few notes:

"DEADWATER" SIMON BESTWICK
A "strangers on a yacht" thriller. Hauntings are not all done by ghosts.

....It's the absences that get you, with any death. The gaps, the depths, the holes people leave behind: they're what we mean by ghosts.
....And I did understand. You do whatever it takes to cope with the damage. And if anything threatens your coping mechanism, your safety, your sanctuary, you do whatever it takes to protect it.


"THE TRYAL ATTRACT" by TERRY DOWLING
A fine old cozy supernatural tale of tragedy and shipwreck, worthy of F. Marion Crawford. A good one for bedtime.

"And, Dave, about the skull. I've slept here with it many times, all the good it did. Just don't let it upset you. The whispering, I mean. I'll believe whatever you tell me."


"BROKEN RECORD" STEPHEN GRAHAM JONES
Here is a story written with bold intelligence and artistry. Absurdity and simplicity in content and form strengthen each other and lend the narrative a grace and poignancy that is unforgettable.


"THE DEEP SEA SWELL" by JOHN LANGAN
Lore and uncanny danger of the sea well-conveyed by Langan

....No matter where they went, it seemed, salt water was visible. When she mentioned this to Giorgio, trying to keep her tone light, care free, he nodded and said, "Aye, someone told me once you're never more than three miles from open water on Shetland." No doubt the landscape of the island, low hills bare of trees, contributed to the sensation, but she began to feel horribly exposed, surrounded by the ocean, which, if you thought about it, could rise and wash over the place without much effort at all.


"HE SINGS OF SALT AND WORMWOOD" BRIAN HODGE

....As a rule, ignorance was no virtue, but if you gave too much thought to the sea, and everything with teeth that called it home, you'd never venture out to meet it.












Jay

24 April 2019




Tuesday, April 23, 2019

Even madness has its reasons: Nightmares: A New Decade of Modern Horror. Edited by Ellen Datlow (2016)

Nightmares: A New Decade of Modern Horror

Edited by Ellen Datlow (2016)




Notes on only a few of the stories in this generous collection:


"Strappado" by Laird Barron
Another story populated by privileged misfits who've slipped a gear and become misaligned with normality. Much like the middle class aristos of "Mysterium Tremendum," hunting sensation and running up against hard facts of a cosmos whose motto is: You can't win.

"The Shallows" by John Langan
Has all weird fiction become a series of shards arbitrarily nested together and called stories? I only ask because "The Shallows" is frustrating in such an obvious way, goading the reader to insights never confirmed in a narrative punishing in its arrogant dismissal of the necessity of sense. A cataclysm, an abused dog, a dying wife, and a missing son are tangled together in a narrative built upon the hero's capacity for self-pity.

"Our Turn Too Will One Day Come" by Brian Hodge is a brilliant folk horror tale about the impact of generations of family secrets. It begins with great poignancy, but grows menacing and suspenseful as layers of rationalizations are peeled away.
"Is there something that makes you more family than I am?"
"So what if there is? That doesn't have to mean it's a good thing."


"Mr. Pigsny" Reggie Oliver
Reggie Oliver leaves his fellow-anthologized authors in the shade. "Mr. Pigsny" is a masterful story, compressed and sharpened by a master. Compared to it, stories above by Barron and Langan seem suffocating, trapped in the charm of their own aloof inconclusiveness.

"The Clay Party" Steve Duffy
A masterpiece on the matter of the "American nightmare." Duffy's ambition gives us a rich vein of a story not to be forgotten.









_

Jay
23 April 2019









Monday, April 22, 2019

Devil's Punch Bowl

"....His brother Caleb drowned in the Devil's Punch Bowl. Four people saw him fall into the water and disappear. The body was lost, but Job claimed to meet something pretending to be his brother a year later. He was walking along the beach and saw him lying under a pile of driftwood. Job ran toward his brother's corpse, but when he reached it, Caleb sprang from the weeds and slithered into the water, laughing. Job was terrified when he realized the figure didn't really resemble his brother at all. And that's why he stopped fishing here."

"The Redfield Girls" by Laird Barron

What lies beneath: The Croning Laird Barron (2012).

The Croning Laird Barron (2012).

Donald Miller is unstuck in time. At the whim of memories from different periods in his life, he struggles to assemble a big picture: that he is only the latest in his lineage whose fate is in the crosshairs of cosmic horror.

Glimpses are provided to Don, but initial insights quickly fade.

As an old man, taking the dog for a walk near a rural tree farm:


....Today, he spotted a couple of the younger men near the road, and instantly knew something was different, wrong somehow. Thick and broad, their coveralls caked in dust and sap. Flat, sallow faces already alight with sweat, they muttered and hacked at dead limbs, dropped them into wheelbarrows like tangled stacks of deformed arms and legs. Yes, there was a difference in their movements, a queer, vaguely inimical aura radiating from them and their half smiles that resembled sneers. He glanced down and noted that Thule's fur was ridged and ruffled as when he was pointing toward a threat such as a hostile dog or an unknown critter in the bushes.

The pair gradually became aware of Don's presence and ceased their labors to study
him and converse furtively. One called out in a shrill, fluting voice to his brethren hidden among the deep rows and the eerie cry was immediately returned from several, widely scattered locations.

His mouth, my God! Don gasped and averted his gaze from the man uttering the strange bird cry; the fellow's mouth shuttered like an iris, a toothless hole as big as a fist. The other man licked his lips and slid his machete against his pants leg in the manner of a barber stropping a razor.

Don nodded with a sickly smile, pretending obliviousness of this most palpable unwelcome and ambled onward as fast as dignity permitted. Their deadly obsidian eyes swiveled to track him until a curve of the road intervened. He spasmodically gripped the pepper spray in his pocket. His teeth chattered.

Too many joints in their necks. He hadn't noticed that during his previous encounters with the crew. Both of thesemen had possessed the same deformity, and a crazy, paranoid thought occurred to him—the pair were actors, doubles in a film who stand in for the name actor, always filmed from behind, or in soft focus. Put a uniform on someone and that person could pass as your best friend from a distance. Crazy and paranoid in spades. Who the hell would bother to impersonate migrant laborers on a country tree farm? Why did he have a sneaking suspicion he'd seen them before under different circumstances?

They watch. They watch you, Donald. They love you.

Barron's ability to present the reader with seemingly arbitrary menace in an everyday context is the great strength of The Croning. Don Miller realizes eventually,  when the collage of his life is assembled, that he is wed to one of the secret cadet royalty in a subterranean history of the world.

Familiarity with Barron's other work offers depth. At one point in the story Don Miller heads to Slango, an abandoned logging camp on Mystery Mountain, as part of his job as a geologist in private industry. Echoes reverb: a previous Slango story was the epic "The Men from Porlock." (The fire-gutted village and its leaning tower are featured in both "Porlock" and another epic multi-character into-the-woods story: "Mysterium Tremendum.")

The Black Guide also makes a nefarious cameo.

I hesitate to say more about The Croning. Its strength lies in corner-of-the-eye shocks to the reader as Don Miller comes to understand the mysteries which are the hidden narrative of his life.



Jay
22 April 2019





Sunday, April 21, 2019

Panic mode: The Stiles of Palemarsh by Richard Gavin






"The Stiles of Palemarsh" by Richard Gavin is a fine tale of Pan-ic and personal retribution. Welsh locations are beautifully realized.

From: Autumn Cthulhu edited by Mike Davis



….The sun practically blinded Ian as he trailed across the yard behind his aged host.


Precisely where the field merged with the forest stood a pair of lean stones. They were, by Ian's estimation, roughly six-feet in height and were set slightly askew, one planted just ahead of the other. This gave the impression not of a barrier, but rather a passage.


"You see that squeeze-stile there?" The man's pointing finger tapered toward an unpleasantly overgrown fingernail, scuffed and ragged and yellow.


"I see the stones. Is that you mean?"


"Aye, that's a squeeze-stile. They were used to mark the boundaries between one man's land and another's. You slip between those stones and you'll find yourself on the path. It's a fine walk. Eventually you'll come to a wooden step-stile at the far end of the trail. Climb that and you'll set down at the head of Wheat Sheaf Lane, right at the high street."


"Sounds straightforward. Thanks for everything."


"Remember," he advised, raising higher his finger with its unsightly nail, "you always want to keep the sun on your left shoulder when you're passing through that glen, lad."


Ian nodded, despite not caring to understand the wives' tale advice of rural folk.


He crossed the last of the field. Perspiration was already beginning to dampen his underarms and back. The tree-shaded glen would be a welcome relief.


The stones of the squeeze-stile seemed to radiate coolness, as though they were righted ice floes instead of granite slabs. Vein-like ribbons of moss suggested the stones' age as well as lending their appearance a strange texture, like a relief map of some remote land.


'Squeeze' was an apt name, for, as Ian soon discovered, the gap between the off-set rocks was claustrophobic, and their uneven faces were made almost hazardous by jutting keen ridges. When he was pressed between the two standing stones, desperation flushed hotly through Ian, followed instantly by a tarry sense of despair. Childishly, he shut his eyes and held his breath before pushing through to the other side of the stile.


The grove expanded all around him. The velvet leaves of the oaks pulsated and the insects offered up a subtle fanfare. While he knew that his passage through the squeeze-stile had not been anywhere near as dramatic or traumatic as he'd imagined, Ian was nonetheless grateful for the verdant expanse at his elbows, the soft trail under his soles. This new environ seemed to lessen the dull ache in his ankle. He was already fantasizing about lying on that King-size bed, his bad leg propped, the air conditioner blasting at full-power and the television playing loudly.


In what seemed to be no time at all, Ian spotted the wooden step-stile that marked the trail's end.


Age and the elements had smoothed the wood steps to such a degree that they felt ice-slick beneath him. Ian scaled and descended the inverted-V carefully, experiencing an unwarranted sense of achievement when his feet struck Wheat Sheaf Lane.


But this spike of exuberance became lost in a sudden blast of terror; a terror that was as inexplicable as it was unbearable. About him, the midday sun shone warmly through the screens of healthy leaves. Swallows trilled and a temperate breeze pressed the entire scene as rhythmically as the evening tide. There was nothing that should have upset him. Ian scanned his surroundings more closely, hoping yet at the same time not hoping that he might glimpse whatever obscured threat had aroused in him this pulsing dread. But there was no danger to be seen, not even the potential for danger. All was thoroughly pastoral. Ian could even see the rooftops of the high street; a reminder that civilization was but a few steps away.


But it was all still somehow unbearable. The openness of the lane, the visibility of the cloudless sky was too immense, too open. Rather than providing airiness and relief, the space aroused a reverse claustrophobic response in Ian, who began to view himself as exposed; a speck of tender prey standing unprotected and wholly visible.


This, Ian realized, was true panic….











_


Jay

21 April 2019


Cosmic: a note on After the Fall by Jeffrey Thomas



"After the Fall" by Jeffrey Thomas
From: Autumn Cthulhu edited by Mike Davis


"After the Fall" by Jeffrey Thomas is one of the best tales in Mike Davis' Autumn Cthulhu.  It begins
with a globe-spanning wind-from-nowhere. The wind blows away our old sky, and reveals a new and utterly alien one.

"After the Fall" epitomizes cosmic horror: no comfort, no answers, only billions of individual questions as everyday life moves forward.

Excerpt:


….Along the drive to Sherri's home in a neighboring town, Crystal repeatedly craned her neck to gaze up at the sky through her window with a mix of apprehension and curiosity. Meanwhile, in her lap she thumbed her phone's colorful screen, alternating between searching out stories about the phenomenon on the internet and exchanging dramatic text messages with her friends. "It's doomsday, bitches!" Crystal read out loud.


"Besides that observation," Wayne said, "are there any more ideas about this on the news?"


"Well," Crystal replied, "looks like regular airplane flights are still cancelled, but I guess helicopters and military planes have been going up for a better look. Sounds like the things look the same even if you go up there. Not any closer or clearer or anything."


"So the images aren't inside our atmosphere, but outside it?"


"Um, probably. They're like showing through our atmosphere. Yeah, so I guess…in space? I wonder if satellites can see them. Anyway, I'll bet the government knows more than they're telling. They always do."


They arrived at Sherri's home, parked their car behind others filling the driveway, and went around to her sizable back yard – its swimming pool covered till next summer, if next summer should in fact come – to find that the yard was decorated as if for an early Halloween party. Cleverly carved jack-o'-lanterns on the picnic table and elsewhere, candles in little paper bags stenciled with witches and black cats, black and orange crepe paper bunting, bowls of popcorn, dishes of candy corn, jugs of cider. From a CD player, Orson Welles reported on the invasion of Earth by Martians. All of this was Sherri's work; Wayne had often teased her about being a Martha Stewart wannabe. Mixed with these accoutrements, however, were other accoutrements left over from summer: coolers of beer, and aromatic smoke rising from the grill tended by Sherri's husband Dave. He had already filled several plates with burgers and hotdogs. The air had a bit of crispness to it today, but it was still comfortable. The sun shone. The sky was blue...and full of monsters. Sherri couldn't take credit for those.


Wayne realized he was grinning as he crossed the grass toward his sister, who had spotted him and came to meet him halfway. He explained to Crystal, walking beside him, "Keith always loved Halloween so much."


"Dad, we all do in our family."









_


Jay

21 April 201o

Saturday, April 20, 2019

All the dead generations: "On These Blackened Shores of Time" by Brian Hodge



From: Children of Lovecraft edited by Ellen Datlow


***


....It was an ambience on the threshold of awareness, like the sound of time and the weight of the hills bearing down atop us.


Most "New Lovecraft" collections are filled with earthbound and lackluster work: the market is glutted and the prose is unarresting.

Among the fill, however, is a diamond:
"On These Blackened Shores of Time" by  Brian Hodge.

It begins with an accident and a family tragedy strange and confounding enough for Bierce. It wends its way from there through eastern Pennsylvania mining lore. It ends with the subterranean and the ineffable.

Excerpt:

....In the main tunnel I stepped on something that shifted beneath my boot, then gave with a crunch. I probed with my foot, too much rubber in the way to discern anything, so I pushed up my sleeves and plunged my hand into the cold water. When it came up with a length of spinal column and a rib cage, I flung them away in disgust.

....It was obvious she hadn't seen the bones as well as I had. In that glimpse I'd caught in the headlamp, they didn't seem right, something malformed about them. The spine was overly long and twisted, as if from scoliosis. The rib cage had seemed wider, flatter. To me, it was only human because of expectations. Actually, I wasn't sure it was human at all. But I wasn't going to dredge it up again for another look.



_



Jay
20 April 2019








Friday, April 19, 2019

John Langan's story "Outside the House, Watching for the Crows"



I found the John Langan story "Outside the House, Watching for the Crows" in Paula Guran's anthology The Mammoth Book of Cthulhu (2016). It is by far the most professional story in the book, a tale behind which we sense with gratitude a real organizing aesthetic intelligence.


In it the narrator writes a letter to his son about his only supernatural experience. The narrator circles the subject, going back to adolescence.


Once upon a time, a kid named Jude handed him an audio cassette of music by a band called The Subterraneans. It's the kind of music that seems at first ephemeral; only later does he realize the album has snaked completely through his consciousness.


At which point he again meets Jude:


....He didn't ask me if I'd listened to the tape. He knew. He said, "Well? What do you think?"


"I think I can't stop listening to that tape," I said. "It doesn't matter if it isn't playing: I'm still hearing it, you know?"


Jude nodded. "Anything . . . else?"


"What do you mean?"


"Have you seen anything?"


"Have I . . . ?" But I had, the robed forms moving past the dance floor at the prom.


Jude caught it in my face. "You did," he said. "What? What did you see? The Black Ocean? The City?"


"People," I said. "I think they were people. They were tall – I mean, seven feet plus – and wearing these costumes, bird masks and long robes. At the prom," I added.


"The Watch," he said. "You saw members of the Goddamned Watch."


"Is that good?"


"As long as they didn't see you – they didn't, did they?"
Did they? "No," I said.


"Then you're fine," he said. "Holy shit. You know you're the first person I've met who actually saw something? Amazing."


"I don't understand," I said. "I'm sorry. I mean, I get that something important has happened – to me – but I don't know what it is."


"It's the music. It thins what's around you, lets you see beyond it."


I had read and watched enough science fiction to think I understood what Jude was talking about. "You mean to another dimension?"


"Sure," he said. "Dimension, plane, iteration, it's all just a way of saying someplace else. Someplace more essential than all of this." He waved his hand to take in the cars, the parking lot, the college, us.


"How— who are these guys? The Subterraneans? How did they do this?"


"I don't know. There are rumors, but they're pretty ridiculous. A lot of bands have messed around with occult material, usually as an occasion for some depraved sex. Fucking Jimmy Page and his sex magic. This is different. These guys are into some crazy mathematics, stuff that goes all the way back to Pythagoras and his followers. What they tried wasn't a complete success. Most of the people I've handed the tape to played it once and ignored it. A few became obsessed with it. Like I said, though, you're the first to see anything."


"Have you?" I said. "You have, haven't you?"


"Twice. Both times, I saw a city. It was huge, spread out along the shore of an ocean for as far as I could see. The buildings looked Greek, or Roman. A lot of them were in ruins, which made the place seem old, ancient. But there were people walking its streets, so I knew it wasn't abandoned. The ocean was immense. Its water was black. Its waves were half as tall as some of the buildings."


"Where is it?" I said. "Do you know what it's called?"


"No." He shook his head. "I spoke to a folklorist over at SUNY Huguenot. He'd heard of the city. He said it was called the Black City – also the Spindle. He thought it was another version of Hell. He was the one who told me about the Watch, the guys in the bird masks. Said you did not want to attract their attention."


"Why not?"


"He didn't spell it out. I'm guessing a fate worse than death."


"Oh."


"They're coming here, you know."


For a second, I thought Jude was referring to the Watch, then I understood he meant the band. "Here? Where?"


"They're playing a show at The Last Chance. Late June, I forget the exact date."


"Are you going to go?"


"Are you kidding? You have to come, too."


"Me?"


"Look at the effect a recording of their material had on you. Imagine what hearing it live could do."


"I don't know." To be honest, I was as worried by the prospect of what your grandparents would say as I was any further visions. Depending on their moods, they had a way of making a request to do something new sound as if it were a personal injury to them.


"You cannot be serious," Jude said. "You're standing on the verge of . . ." He threw up his hands.


"Of what?"


"Does it matter?" he said. "Really? Does it? Even if this place is a district in Hell, isn't that more than you're ever going to find, here?"









_


Jay

13 April 2019